Water puppetry, a “specialty” for tourists

Bài và ảnh Việt Văn |

Water puppetry was born from the rice civilization, is a folk art form, bearing the creative mark of the Vietnamese people.

Water puppetry was formed and developed during the Ly Dynasty (1010 - 1225), and over time, it has been passed down from generation to generation. From an art with folk elements, water puppetry has quickly become a traditional art, with its own place in the national stage.

The water puppet stage uses the water surface as a stage (also known as the water pavilion), behind there is a backdrop to create a water puppet performance stage surrounded by decorations of flags, fans, elephants, parasols, votive gates... The water pavilion is often built in the middle of a pond or lake with a balanced architecture symbolizing the communal house roof of rural Vietnam. On the stage are puppets (made of wood) performing thanks to the control of people behind the backdrop through a system of poles, strings... Adding to the lively atmosphere of the performance are the supporting sounds of drums and firecrackers.

In Vietnam's treasure trove of water puppetry, there are 30 traditional performances and hundreds of modern puppetry performances telling folk tales and the daily lives of Vietnamese people.

Below are images from a performance of Lotus Puppetry at the Vietnam Contemporary Art Theatre under the Ministry of Culture, Sports and Tourism. Special performances of Lotus Puppetry such as: "Dragon Dance", "Returning the Sword to the Father in Glory", "Le Loi Returns the Sword"... are very popular with audiences, especially international visitors. Normally, Lotus Puppetry performs two shows a day, the fixed show is at 5:15 p.m., the remaining shows are at 6:30 p.m. and 4:00 p.m. depending on the situation.

Mot so nhan vat trong roi nuoc.
Some characters in water puppetry.
Nhung nghe nhan roi nuoc dang dieu khien con roi.
The water puppeteers are controlling the puppets.
Nao chung ta cung ra san khau.
Come on stage.
Ban nhac tren san khau.
Band on stage.
Bieu dien ca nhac truoc khi dien roi.
Musical performance before puppet show.
Mac trang phuc de xuong nuoc dieu khien roi.
Dress up to go underwater and control puppets.
Nghe si Tuan Anh tap luyen truoc gio bieu dien.
Artist Tuan Anh practices before the performance.
Nguoi lo trang diem, nguoi lo tap dan. Xuan Thanh nghe si keo dan nhi (nguoi ngoi o xa) cho biet, anh tung lam o Nha hat Cheo Viet Nam truoc khi chuyen sang Nha hat Nghe thuat duong dai Viet Nam.
One person takes care of makeup, the other takes care of practicing the instrument. Xuan Thanh, the erhu player (the one sitting far away), said he used to work at the Vietnam Cheo Theater before moving to the Vietnam Contemporary Arts Theater.

Over the past 3 decades, the Contemporary Arts Theater has invested in building facilities, stage systems, equipment and presented attractive plays, combining water puppetry and contemporary music and dance with new and fun colors but still maintaining traditional cultural features to improve service quality with the desire to become an attractive destination to attract audiences and tourists to develop tourism. To attract tourists, the theater has cooperated with travel companies to bring visitors to enjoy traditional culture.

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