That is Doan Manh Hung (born in 1992, Quang Tri), currently living and working in Nghe An - one of the very few young people pursuing the craft of making and restoring traditional handmade seals.
From the ancient mark in cinema
Having a secret interest in Chinese historical films, Hung was soon attracted by the quiet and sophisticated beauty of ancient films. At first, it was just curiosity when I saw engraved seals on stone, wood or pearls. But the more I learned, the more I was attracted by the depth of culture, style and the delicate beauty of each seal - Hung shared.
From there, he determined to self-study, explore techniques, find ancient sources and learn from artisans to nurture his passion that seemed to be forgotten in the rhythm of modern life. For Hung, each trian is not only a tool to stamp but also carries an artistic spirit and a philosophy of life. The carvings are not simply a form of decoration but are the crystallization of emotions, of ideas, of an entire culture that has been preserved through many generations.
In his journey to create and restore royal decrees, Hung not only tirelessly researched ancient sources and historical books on East Asian book publishing but also persistently learned the techniques of wording, calligraphy and the use of traditional Chinese encryption. Not stopping at recreating the quintessence of old, he also proactively incorporated modern elements into each work: From carving people's names in the ancient royal style to applying royal decree images in gift design, brand building, or contemporary calligraphy.
Each product is a challenge. Hung said that it took him 2 days to engrave a seal, and only the last few features left when the stone broke down due to the mortar hidden under the surface layer. The work was forced to be left and he had to start over, both technically and emotionally. But instead of being discouraged, Hung considered it an inevitable part of the craft. "Every time I hold a sharp knife, I feel like I am talking to the past" - Mr. Hung expressed.
Preserving heritage, spreading love for the profession
Choosing to go against the trend of digitalization, Hung clearly understands his responsibility when maintaining a craft that is on the brink of controversy. For him, sewing is not only a means of livelihood but also a means to tell the story of Vietnamese culture in a quiet but profound language.
However, the journey to preserve and spread this profession is not easy. The profession of making seals is still known to few young people, because of its uniqueness, high artistry and low cost. Hung believes that there should be more creative communication activities such as organizing workshops, exhibitions, and including special effects in creative products such as bookmarks, paintings, etc. so that young people can access and love this art.
Not stopping at personal work, Hung also cherished the plan to open a carving class, building a space to experience the culture of the tribe. He thinks this is a place where young people can learn, be creative and connect with like-minded people. Doan Manh Hung hopes that this art will not only be known, but also be preserved and continued by new generations.
When asked what message he would tell young people who love Vietnamese folk culture, Hung only said: "Please be patient, respect and preserve the ancient style". For him, each stamp is the mark of time, the breath of an artist sending back to us.
In the era of technological development every day, there is a young person who still quietly carves each ancient character, trying to preserve traditional values with all his heart. Doan Manh Hung's story is not just about a person with a job, but a passionate reminder of responsibility for the national cultural heritage.
