Young female singer Tang Quynh My received the cheers of many audiences when performing the song "Waiting for You to Pick Me Up". This is also the first time she has introduced this song to the audience.
The song has a gentle melody, with contemporary folk music colors, also creating a connection with the performance of Miss National Vietnam 2026 contestants.
After the first song, Tang Quynh My continued to stir up the stage with the remix version of the song "Half broken, half healthy". The female singer also had the opportunity to interact more with the audience and said that she was happy to be chosen to perform at the final night of Miss National Vietnam 2026.
Being on a big stage is both a joy and an honor for me. I am happy to be welcomed and cheered on by the audience...", Tang Quynh My said.
The female singer added that each performance brings her a different feeling. With "Waiting for You to Welcome Me", she focuses on the way she handles her voice and emotions of the song. Meanwhile, the remix "Half broken, half healthy" requires more energy in the performance style.
Tang Quynh My said she appreciates the opportunity to perform in major events and wants to continue to try her hand at many different music styles.
Known through some songs such as "Em đã vì anh quá nhiều", "Ngày mình từng yêu", "Cứ bỏ mặc em".... The female singer orients herself to pursue music aimed at young audiences, and also participates in some activities in the field of fashion and photo modeling.
In the coming time, Tang Quynh My plans to focus more on music, considering this an important foundation in her career development journey. The female singer wants to seriously invest in new products, gradually shaping her own musical color.
Besides improving her voice and performance ability, she aims for songs that suit her personality, experience and emotions, and also experiments with new colors to create an impression on the audience. For Tang Quynh My, each upcoming music product will be a step forward for her to mature and affirm her position on the singing path.
