After the "base cream general" controversy in the movie "Axis of Jade", the actor's acting ability is once again under scrutiny.
In the role of Mo Dung Thanh Dich, he better expresses the states of hurt, stubbornness and anxiety. Eyes are the most prominent tool of the male actor in psychological scenes.
However, Truong Lang Hach's acting still creates two clear streams of opinions. Many people commented that his expression is still formulaic. When expressing pain or anger, the male actor often tightens his facial muscles, fixes his gaze and pushes emotions high with his voice.
This handling can be effective in climactic scenes but easily causes a feeling of repetition if it appears continuously. The transition between his emotional states is sometimes not natural, making the character lack softness and depth.
The ability to speak is also a limitation often mentioned. Truong Lang Hach has a voice suitable for cold, powerful characters, but the dialogue rhythm is sometimes not flexible. In some scenes, pressing too much on each sentence makes the performance become heavy.
Previously, the role of Ta Chinh in "Pearl Axis" caused the male actor to be called "foundation cream general". The initial debate stemmed from white makeup and too meticulous styling, then expanded to the ability to play the role.
A part of viewers believe that Truong Lang Hach has not completely given up the idea of keeping a beautiful image in front of the camera. Even in scenes that require harshness, fatigue or loss of control, his appearance is still too perfect.
Truong Lang Hach was not formally trained in performing arts. He studied Electrical Engineering at Nanjing National University of Education before switching to acting. Becoming a "học bá" (good student) helped him gain attention, but also created greater expectations from the public.
From Truong Hanh in "Thang Lan Quyet" to Ta Nguy in "Ninh An Nhu Mong", the actor often takes on roles with cold appearances and complex inner feelings. He has the ability to create atmosphere and is suitable for arrogant, hurtful characters.
However, the similarity between the roles puts Truong Lang Hach at risk of repeating himself. Sad eyes, keeping his face cold and strong explosions once helped him make his mark, but it is difficult to become a formula that can be used for a long time.
In the group of Chinese actors born after 1995, Truong Lang Hach possesses advantages in appearance and recognition. The point he lacks is a role that makes the audience forget his appearance to only remember the way the character is portrayed.
