Meritorious Artist Chi Trung: I "ask" to include traffic violation fines in Tao Quan

Mi Lan |

In Tao Quan 2025, Meritorious Artist Chi Trung continues to play the role of Tao Giao Thong and has a "presentation" about increasing the penalty for traffic violations in the lower world.

The story about increasing penalties for violations of traffic safety and order according to Decree 168/2024/ND-CP has been included in the script of Tao Quan 2025.

Meritorious Artist Chi Trung shared, “Initially, the script for Tao Quan did not have this part, and did not mention anything about increasing the fine for violating traffic safety and order.

I discussed and even “fought” with the director – Meritorious Artist Do Thanh Hai. Finally, the director agreed to include it.

It is true that the fine is high, but it will serve as a deterrent to violations. As the Traffic God said, “If you don’t want to be fined, don’t violate anymore”. Our ancestors have a saying, “love with a whip, hate with sweetness”. As citizens, “people of the lower world”, my family members and I have all experienced both hot and cold fines (laughs). But I think that increasing the fine for violations of traffic safety and order is a necessary measure.

We, the participants of Tao Quan, are both citizens and artists with the responsibility of propagating the regulations and sanctions when applied to life. I think we should understand the government, understand why the fines must be increased...”.

When presenting to the Economic Gods (Quang Thang), Social Gods (Tu Long), and Health Gods (Van Dung) about the reason for increasing the fine, the Traffic Gods also received arguments from the Gods about the limited infrastructure, whether the fine was too high compared to the average income of people in the lower world...

The Traffic God also added the line, "If people continue to violate, I also propose increasing the current fine by 15-20 times." The line made the veteran Gods "panic".

Tao Giao thong Chi Trung co phan trinh bay ve viec tang muc phat vi pham giao thong duoi ha gioi khien cac Tao Kinh te, Tao Y te, Tao Xa hoi tranh luan. Anh: Nha san xuat
Traffic God Chi Trung presented about increasing fines for traffic violations in the lower world, causing debate among the Economic God, Health God, and Social God. Photo: Producer

Meritorious Artist Chi Trung said, "We juggle with each other humorously like that, in reality, we keep our role as I said above, we contribute to propagating and explaining the fine level so that the audience can understand better, so that everyone realizes their responsibility in properly implementing the law on traffic safety and order."

Previously, the dialogue of Traffic God Chi Trung at Tao Quan 2011 was widely shared on social networking platforms when it was said to have "predicted" the increase in traffic violation fines according to Decree 168/2024/ND-CP.

At Tao Quan 2011, when questioned by the duo Nam Tao - Bac Dau about solutions to traffic jams, Tao Giao Thong presented that one of the reasons leading to traffic jams is the poor traffic awareness of many people in the lower world, constantly running red lights, encroaching on sidewalks, crossing lanes...

The Traffic God affirmed, "At this rate, I propose to increase traffic violation fines by 2-3 times, even 4-5 times, and people will no longer violate."

Traffic God is called by many audiences by a new name, "Prophet God" when many lines in Tao Quan come true.

NSUT Chi Trung nhieu nam dam nhan vai Tao Giao thong. Anh: Nha san xuat
Meritorious Artist Chi Trung has played the role of Traffic God in the Tao Quan program for many years. Photo: Producer

Meritorious Artist Chi Trung's full name is Pham Chi Trung, born in 1961, is the son of People's Artist Quy Duong. He has been involved in the stage for many years and is a member of the golden generation of artists of the Youth Theater.

Meritorious Artist Chi Trung has made many impressions and worked in many different positions at the Youth Theater, from actor, director, troupe leader to director.

He is considered the director who "steered" the theater firmly through the most difficult times when the stage was no longer constantly lit.

Mi Lan
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