When the TV series "One millimeter away from you" enters the final stage, the story not only revolves around the ending of the character Tu, but also becomes a broader debate about the choice in love: Bach or Hieu - peace or vibration?
On social networks, many viewers expressed their desire for Tu to choose Bach, because for them, Bach is the one who deserves to become a "safe stopover".
Bach is not the type of character who makes a strong impression from the beginning. He comes gently, loves slowly and sustainably. Bach's feelings for Tu are not noisy, not ostentatious. It is this stability that makes Bach recognized by many audiences as a suitable man for a long-term relationship, especially with a well-behaved woman like Tu.
In the opposite direction, Hieu is a character who brings strong emotions. He is attractive, proactive and knows how to make the other person flutter. Hieu truly loves Tu, which is hard to deny. However, controversy broke out when the audience called Hieu a "trapboy".
In social network language, trapboy refers to guys who are attractive, sweet-talking, easily make others fall into emotions but often love in a conquering instinct rather than being attached for a long time.
With a trapboy, strong emotions at first are sometimes more important than perseverance, and when challenges are gone, love easily fades.
Hieu was built according to that model. He is used to leading relationships, used to being pursued and also used to... pursuing others. Therefore, the biggest worry is not that Hieu does not love Tu, but whether he can love for long or not.
The debate between Bach and Hieu actually reflects very real psychology. When young, people are easily swept away by intense emotions, willing to trade safety for moments of sublimation.
But after stumbles, what people need is someone who stays, does not leave when emotions cool down. Bach represents that choice: not making the heart beat too fast, but strong enough not to hurt.
The fact that most audiences want Tu to choose Bach shows a change in their view of love. They are no longer too romanticizing the "bad boy" style of men, but more realistic with the value of stability and respect.
For Tu, choosing Bach is not just choosing a man, but choosing to love more maturely - to love to live together, not to love to challenge.
Regardless of the final ending, "One millimeter away from you" has touched the viewer's psychology when asking a familiar but never old question: should you love the person who makes you most touched, or the person who makes you feel most secure?
