The Call Me by Fire concert ended the 5th night with the regret and burning emotions of the audience.
People's Artist Tu Long himself also shared that the 2 concerts in Hung Yen this weekend could be the last time the 33 talented people meet the audience in large numbers. However, the artist confided that he wanted to sing and contribute until he could no longer sing.
The moments in the concert were even more brilliant and memorable, because the artists and the audience were not sure if it was the last time they were able to live in that atmosphere.
Audience Ngan Ha (26 years old, Hanoi) shared with Lao Dong reporter that she felt regretful after each concert because she was afraid that the brilliant summer would end, afraid that the party would have to end.
"At first, I knew about Call Me by Fire because People's Artist Tu Long confirmed his participation. In the North, everyone loves Tu Long. It was unexpected that when People's Artist Tu Long participated in an entertaining show, he and the audience were inspired and learned about the traditional culture of the nation.
I am proud of the enthusiastic cultural spirit in each audience member, fueled by 33 talented people," Ngan Ha said.
From love to motivation, the young girl spent 50 million VND to follow all 6 nights of Call Me by Fire's concerts.
As the song "ta co ngay trang nhat" in the theme song "Hoa ca", Call Me by Fire's concert night had the lights, lights, fireworks, and the rays of light from tens of thousands of cheering sticks of the audience, then "for this moment, brilliantly glorious".
It has become a practice, the concert stage always solemnly honors the culture and traditions of Vietnam through performances such as "Ao mua dong", "Mother loves child", "Dao Lieu", "Mua den pho Hue", "Da co hoai lang", "Dong com"... Closing the series of songs with folk sounds is the song "Mot thang Viet Nam".
Audience Le Thanh Hang (28 years old, Hanoi) also did not miss any show with 33 talented people. She recounted that each performance brought a different feeling. If night 1 was a curiosity and excitement, night 2 the audience would be more relaxed, focusing on enjoying the entire concert, observing things that the phone could not record.
On the 3rd and 4th nights, the audience's emotions exploded with a list of many innovative performances, Thanh Hang decided to line up from 12 noon to stand close to the stage, to fully experience the show in an ideal position.
By the 5th and 6th nights in Hung Yen, the scale of the stage had nearly doubled the first night. The stage, sound and lighting systems have been upgraded, meeting international standards. Thanks to that, the audience's viewing experience is enhanced.
