Initially, she was not highly appreciated, Chinese media pointed out the weakness of the actress in the dialogue part that did not reach the necessary clarity and force, affecting the feeling of role-playing.
However, in the final stage, Bach Loc has made clear progress. The confrontation and revenge scenes are built intentionally, when the character chooses to use the enemy's weapon proficiently, and at the same time recreate symmetrical poses to end the grudge. This handling helps increase drama and emphasize the character's fierce psychology.
Audiences assessed that in the final stage, Bach Loc showed a good inner transformation, from an investigating person to a cold, decisive image, almost an embodiment of justice. Not only in expressions, the actress also scored points in action scenes, showing flexibility in martial arts performance and the ability to keep emotional rhythm in climactic segments.
Compared to previous works such as "Lam Giang Tien", the role in "Duong Cung Ky An" has a different color. If previous projects leaned towards romantic or fairy elements, this time Bach Loc tried his hand at a complex character, somewhat extreme in thought and action, bringing a new experience to viewers.
One noteworthy point is how the film portrays the tragedy of the victims without falling into empty messages. Instead of waiting for salvation, the characters choose to fight for justice themselves. This is clearly shown in the journey of Ly Boi Nghi, who has a low status before the court but still resolutely pursues the goal of revenge on her own.
That choice creates psychological weight for the character, when facing the enemy is not only a personal action but also a process of closing the obsession with the past.
