The historical debt of Vietnamese films seen from Red Rain

Bình An |

From war films that could not sell 1 ticket per screening to Red Rain with a revenue of more than 500 billion VND, Vietnamese films have gone a long way.

Debt with history

In 2017, the war film "Dunkirk" (Vietnamese title: Dunkirk Exiled) caused a fever in the Vietnamese film market. "Dunkirk" by director Christopher Nolan is set in World War 2.

At the end of May 1940, about 400,000 soldiers of the Allied army (France, England, Belgium) were concentration by the German army on the coast of Dunkirk, posing a danger. However, with Putin's most controversial decision in history to "not attack to the end", the British government called for a rescue operation and brought nearly 300,000 soldiers out of Dunkirk across the Manche Strait back home.

Dunkirk was invested with about 100 million USD and earned nearly 530 million USD, creating a fever at the box office. Dunkirk received a storm of compliments for its unique three-dimensional storytelling (on airplanes, on land and at sea) that turned Englands historic flight into an emotional story on screen.

Dunkirk made a big impact when it came to Vietnam. At that time, the question of the historical debt of Vietnamese films was raised with filmmakers. In a country, when war has become a part of history, when two great national defense wars with so many legends wrote the national image before the world... but there could not be a film that touched the audience's emotions for decades.

When asked about the debt to history, many directors gave different reasons to prove the difficulty of films with the theme of war and history.

“Mui co chay” duoc nha nuoc dat hang ra mat vao dip ky niem 30.4 nam 2012. Phim cung lay de tai ve cuoc chien o Thanh co Quang Tri voi kinh phi it oi. Anh: Hang phim truyen Viet Nam cung cap
"Scent of burnt grass" was ordered by the state to be released on the occasion of April 30, 2012. The film also takes the theme of the battle in Quang Tri ancient citadel with a small budget. Photo: Provided by Vietnam Feature Film Studio

Of which, the biggest difficulty is the cost. Director Bui Tuan Dung said, "war films need a lot of money". For this reason, for a long time since the late 1990s, private companies have almost "held" the topic of historic war. With the goal of recovering capital quickly and making big profits, private films pursue comedy topics, psychology, psychology, horror... to easily sell tickets.

War and historical films are produced in small quantities, often by state-owned film studios under state management on the occasion of each anniversary of historical events.

There have been countless tragedies, when films ordered by the state have been criticized for their old scripts, dry filmmaking style, and assumptions. Even films with state investment in a record amount of millions of USD (at that time) such as Memories of Dien Bien, Live with History... could not sell tickets. The film fell into a slump. To the point that Living with History cannot sell 1 ticket in 1 screening fee surveyed by reporters.

The sluggish and disadvantaged scenes of war and historical films ordered by the state have become an endless topic of controversy, lasting for decades. A series of difficulties were raised, mainly revolving around two decisive factors: the need for more million USD in funding, to the "lack and weakness" of good war scenarios.

Nhieu phim chien tranh Viet da xep vao hang ken khan gia, kho xem vi khong ban duoc ve. Anh: Hang phim truyen Viet Nam
Many Vietnamese war films have been poorly rated by audiences, making it difficult to watch because tickets cannot be sold. Photo: Vietnam Feature Film Studio

The boost

After a long time of almost being at a standstill of the Vietnamese war film industry with a historical debt on the shoulders, the two films "Red Rain" and "Dia Dia Dia: Mat troi trong bong" have appeared as a turning point.

geopolitical: Sun in the dark is produced by the private sector, released in theaters during the days of the whole country towards the 50th anniversary of the Liberation of the South, National Reunification and Red Rain was released on the occasion of the 80th anniversary of National Day on September 2.

The success of the two war films comes from many factors, including "time, location, humanity". The influence of the programs honoring national pride and patriotism has resonate, helping "Red Rain" and " Earth" to be strongly supported by the audience. To be fair, if it had been released at another time, it is uncertain whether "Red Rain" would have had the success it is now.

However, it cannot be denied that the elaborate investment, combined with an open and new script in the way war films are made, has brought a big plus to Red Rain and Geography in 2025.

“Dia dao” va “Mua do” duoc ky vong se tao nen buoc ngoat lon cho dong phim chien tranh, lich su cua Viet Nam. Anh: Nha san xuat cung cap
Landards and Red Rain are expected to create a major turning point for Vietnams war and historical films. Photo: Provided by the manufacturer

If The Earth is real and rich in cinematic, Red Rain is an emotional film, built tragically and elaborately, with a tolerant and humane perspective on the fate of soldiers on both sides of the front line.

Watching "Red Rain" can be seen, a new approach to human fate in war. Instead of the worn, collective, forced, and often- seen heroic struggle, Red Rain has gone deep into the fate of each individual, on both sides, when facing the war.

It is the fate of each individual that has brought its own color to the common pain of the whole nation. "Red Rain" brought tears to the audience, achieved a revenue miracle, and created an explosive effect because it brought a true picture of human fate, of the common pain of the nation, of the separations - disruptions in a tragic war.

Moreover, "Red Rain" and "Land of the Galaxy" are expected to be a breakthrough for the war film genre - which always faces countless difficulties. There are still many battles that need to be told, the debt to history is still there on the shoulders of Vietnamese filmmakers.

After "Red Rain" and "Die Thuong", it is hoped that more producers will invest in the war and historical film genre.

So that the audience does not have to wait until anniversaries and major holidays to watch war films, to laugh like they did with Red Rain.

Bình An
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