Bunraku, timeless beauty

Việt Văn |

Last weekend, the audience of the capital enjoyed Bunraku, a traditional puppet art of Japan, recognized by UNESCO as a Representative Intangible Cultural Heritage of Humanity with the excerpt "The Journey of the Spring Drum" from the play "Yoshitsune and a Thousand Cherry Blossom Plants". Both shows, the audience was packed with spectators and the endless applause showed Bunraku's beauty and appeal.

Mr. Yoshioka Norihiko, Director of the Japan Cultural Exchange Center in Vietnam, said that the most unique feature of Bunraku is the wonderful harmony, the smooth combination of the tayu (stories), the musicians playing shamisen, and the puppets. Each puppet is cleverly controlled by 3 artisans in coordination with each other, making the puppet's movement a beautiful expression of cooperation and harmony.

When asked about the difficulties in traditional arts in other countries today due to the decreasing audience, due to the lack of a next generation of artists, for Bunraku, what about the issue of inheriting and developing this heritage? Mr. Yoshioka Norihiko replied: Bunraku Association, a unit specializing in preserving and promoting Bunraku as an important part of Japanese cultural heritage, is closely coordinating with the Japanese Government, local authorities, the National Theater and educational institutions to face these challenges.

Nghe nhan Kiritake Kanjirou dang noi ve nghe thuat dieu khien roi. Anh: Viet Van
Artist Kiritake Kanjirou is talking about the art of puppetry. Photo: Viet Van
La mot trong ba loai hinh san khau truyen thong tieu bieu cua Nhat Ban ben canh Noh va Kabuki thi Bunraku la nghe thuat roi co truyen noi bat. Voi su ket hop hai hoa giua ky thuat dieu khien roi tinh xao, nghe thuat ke chuyen giau cam xuc va am nhac truyen thong. Anh: Viet Van
As one of the three typical traditional stage types of Japan along with Noh and Kabuki, Bunraku is a prominent traditional puppetry. With a harmonious combination of sophisticated puppetry techniques, emotional storytelling art and traditional music. Photo: Viet Van
Bunraku la di san van hoa dac sac cua Nhat ban ra doi tu dau the ky thu 17. Anh: Viet Van
Bunraku is a unique cultural heritage of Japan that was born in the early 17th century. Photo: Viet Van
Con roi duoc dieu khien boi su kheo leo va tai nang cua nghe nhan. Anh: Viet Van
The puppets are controlled by the ingenuity and talent of artisans. Photo: Viet Van
Nhip dieu. Anh: Viet Van
The rhythm. Photo: Viet Van
Cung voi viec cac nghe nhan dieu khien roi thi cung luc, nguoi ke chuyen se truyen tai cam xuc bang giong thoai bien hoa, ket hop voi tieng dan shamisen dac trung, tao nen mot trai nghiem nghe thuat thu vi. Anh: Viet Van
Along with the use of puppets by artisans, the narrator will convey emotions with a varied dialogue, combined with the unique shamisen musical instrument, creating an interesting artistic experience. Photo: Viet Van

The efforts include training the next generation of artists, organizing presentations and seminars with easy-to-understand content for young audiences. In recent years, along with the increase in international tourists to Japan, promoting Bunraku to foreign tourists has also become a focus, with many initiatives being implemented to reach this group.

Bunraku Art Heritage is currently supported through regular training programs at the National Theater and efforts from the Bunraku Association. Although it can be difficult for young artists to make a living entirely from Bunraku's income, they often combine it with support from the government, cultural funds, or teach classes and seminars to earn extra income.

Regarding the comparison between Bunraku and Water Art in Vietnam, Mr. Yoshioka Norihiko said that although water puppetry and Bunraku are quite different when water puppetry comes from Vietnamese rural culture, often performed on the water with short performances that are highly entertaining and very popular with international tourists; while Bunraku focuses on telling long, complicated stories that can last for hours. However, both have an important common point, which is that they are deeply rooted in the folk traditions of each country, and are unique forms of cultural heritage, each with its own beauty.

Việt Văn
TIN LIÊN QUAN

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