The genius trap

Việt Văn |

In the old studio faintly smelling of oil paint, the old artist sits opposite the young architect. Again, a story about football as the World Cup is approaching, this time it's the story about superstar Neymar (Brazil): Will he still have a chance to participate in the World Cup? The architect muttered: "How do you feel, if the World Cup is missing superstars like Neymar, it's boring. Although he is "crying out" and taking advantage of the power of social networks, it seems Ancelotti is not paying attention. A superstar with such a career end is really sad".

The old artist slowly asked: "Do you regret that your talent is wasted, or that a beautiful story does not have a complete ending?" The young man immediately replied: "Both. He has a rare innate talent but lacks discipline. Trauma and partying have prevented him from reaching a higher position". The old artist smiled: "You are speaking like an architect, believing that everything has a structure and solid foundation. But innate talent does not follow the logic of reinforced concrete. The problem with people like Neymar is that they are too used to being superior without training. When a person wins too easily from the starting line, they will not learn to endure and overcome the boredom of discipline.

Do you mean early success is a trap?", the young man raised his eyebrow. The old painter nodded: "Exactly. It creates the illusion that talent is enough. But in fact, talent is only the starting point. Persistence and the ability to push yourself further determine how long a career lasts. Neymar is like a magnificent facade that makes the world admire, but the foundation is not reinforced deeply enough. When money and fame come too early, people tend to stop where they feel "enough". In a world full of praise, being strict with oneself becomes extremely difficult." The architect sighed: "So this ending is inevitable, sir?". "Time is not waiting," the old painter replied. "It doesn't care who you used to be, it just asks what you can do today. The biggest tragedy of talent is not lack of opportunity, but lack of discipline to keep the opportunity when it comes.

The room was silent. The architect looked back at the image of the player on the screen, then softly said to himself: "Perhaps for creative people, the most frightening thing is not failure, but stopping too early when you can still go further." The old artist nodded, his eyes softened. He understood that the most regrettable thing about a star is not missing a tournament, but never reaching the most brilliant version of himself.

Việt Văn
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