In the last days before the movie "The Wind Across the Blue Sky" ended, a series of photos recording the happy moments of My Anh - Dang's family were suddenly spread, making many viewers believe that the movie could aim for a warmer, more humane ending than the original.
In the photo series, My Anh (Phuong Oanh) and Dang (Doan Quoc Dam) appear with radiant appearances, playing emotional roles with their young son. The three of them pose intimately, looking at each other gently like a family holding complete happiness.
These meticulous, everyday scenes immediately remind viewers of the journey of "loveing from the beginning" that the audience is expecting from the two characters.
Notably, in the original version of 30 is not the end, the corresponding character line leads to a sad ending: divorced wife, single mother... However, in the Vietnamese version, the plot has changed significantly. After the mistake, Dang realized his family values and persistently corrected his mistakes, took care of My Anh when she was sick, and even declared that he would "love her in his own way".
In the context of My Anh still keeping a distance but not being expectant, the image of the three characters now appearing happily together makes viewers wonder: is this a signal for an open ending or an opportunity to reunite?
Many comments on social networks said that the crew's proactive Vietnamese transformation instead of creating an original model has created a more humane way of exploitation. If in the original, the breakdown was irreparable, the Vietnamese version gave Dang the opportunity to atone and gave My Anh the right to choose happiness based on her true feelings and her son's wishes.
Not only revealing the ability to change in the marriage story of My Anh - Dang, director Le Do Ngoc Linh once shared his wish that the audience would see the film as an independent work, where each character choice is suitable for Vietnamese culture and the spirit of tolerance for mistakes.
