After Hai Phuong's resounding success with a revenue of 200 billion VND, he continues to make his mark with many film projects that are highly appreciated by experts. Lao Dong Newspaper had the opportunity to talk with him about his filmmaking experience, perspective on the Vietnamese film market and the values that he always aim for in each project.
Difficulties in making historical films
Mr. Le Van Kiet, could you share a little about how you approach historical dramas, especially the details of Vietnamese culture that you pay close attention to?
- With historical films, I always pay attention to respecting culture and unique details. For example, when filming scenes related to rituals, cooking or communicating with mothers-in-law - details that seem small but have great significance in Vietnamese culture - we have to do careful research to ensure everything is correct and natural. This is not a matter of making, but a way for the audience to feel the authenticity, see the good of traditional culture.
For example, preparing before meeting my mother-in-law, or how to use traditional tools, we have to find someone to guide us and practice many times. These details are both difficult and require skills, but are very important to inspire actors and images in the film. I remember scenes with liquidation, bridge shells, neck knives... everything had to be precise. Otherwise, the actors will have difficulty, the filming will be unnatural. In fact, taking care of every small detail helps historical films become lively, while honoring Vietnamese culture.
So, in your opinion, what is the most difficult thing about making historical films?
- The most difficult thing is to avoid inappropriate details and ensure historical accuracy - something that modern films can be more flexible about. With ancient costumes, if they do something wrong, the audience will immediately recognize them. It requires meticulousness, from the setting, costumes to character behavior. For example, in a ceremony scene, if a small detail is wrong, such as the arrangement of the table or the style of the character, the audience will immediately recognize it, and that feeling will ruin their experience. Therefore, each scene had to be carefully studied and practiced many times.
Do you have any comments on the horror film genre that is "roaring" in Vietnam?
- Actually, horror was not the main factor in my choice of film. What I care about is experiencing new characters and stories. Vietnamese horror films have recently achieved good revenue, but I make films based on my own feelings and experiences. The goal is to create different moments, making the audience feel new. adventure is just a means to lead an experience, not an end in sight.
Revenue does not completely determine the quality of films
After Hai Phuong, the revenue of hundreds of billions is considered a pressure for the director. How do you feel about this?
- Personally, I rarely pay too much attention to revenue. For me, the success of a film is when the audience receives real value and experience. Revenue is only a part, it depends on many factors such as the time of going to the cinema, competitors, fate... I make films first of all for myself - as an audience who wants to create something I will want to watch, and I hope the audience will feel the same. Many films I make are not for revenue but for the story, for the characters, and for the experience it brings to the audience.
So, in your opinion, what factors are involved in a successful work?
- A film is a success when the audience sees the value of the story, the character experience, and the emotions that the film brings. It's not just revenue or awards. For example, there are small details in the film that the audience will always remember, even if not the entire film. I find that more important than any number. If the audience leaves the theater but still mention a detail, a line, a beautiful image, that is success.
How do you evaluate the current Vietnamese film market, especially the revenue and enjoyment of the audience?
- The Vietnamese film market is developing very well. The audience is increasingly demanding, and that is what motivates the filmmaker. There are films that are highly appreciated by experts but have low revenue, and vice versa, some films are criticized but have won big at the box office.
I never predict what the audience wants; I just make a film for myself - as an audience member who feels satisfied and appreciated. Finally, the audience will choose what they want to see. In fact, sometimes the audience does not know exactly what they want. They go to see movies for entertainment, for experience, to find emotional values in daily life.
Do you have any opinion on many Vietnamese films achieving high revenue thanks to famous brands, stars or directors?
- I don't have much opinion about that. The audience simply chooses what they find valuable and certain. If a famous director or actor creates trust, they will be supported. But I always believe that, no matter who makes the film or who makes it, the audience will choose what brings a real experience. From blockbusters to art works, the important thing is what the audience gets from the film, not just the name or brand.
Regarding actors, many opinions say that the ability of Vietnamese actors is still limited, but is still favored for its reputation. What is your point of view?
- I always choose actors based on my ability to get into character and understand the character, not just for fame. A suitable and natural actor is always a priority. Sometimes, beginners are also very suitable, as long as they can express emotions naturally. Having money or becoming famous is also a part, but the deciding factor is still the ability to get into character. A successful role is when the actor immerses himself in the character, creating real emotions for the audience, no matter who they are or how famous they are.
In Vietnamese cinema, what do you want to do that you can't do yet?
- I want to do projects that I have never experienced before, including action, horror or other genres. The important thing is that each project must bring something new and different. When I got old and experienced my current film, I chose films based on value and experience rather than genre or commercial trend. I think a good film is when it gives both the maker and the audience unprecedented experiences.
What advice do you have for young filmmakers and the future Vietnamese film market?
- Always put the audience at the center, but don't forget yourself. Making films is not only to sell tickets, but also to convey values, experiences and emotions. The Vietnamese market is very good, but the challenge is how to create unique and realistic experiences, so that the audience will always remember them. From the cultural story, acting skills, to the setting and props, everything must be meticulous and respectful. Only then can Vietnamese films truly make their mark.
